Exhibitions

Aichi Triennale 2022: STILL ALIVE (July 30 - Oct. 10, 2022)

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Aichi Triennale 2022, the latest iteration of one of Japan's largest international art festivals, features 100 individuals and groups of artists from both Japan and abroad. In addition to the Aichi Arts Center, the triennale will be held at venues in the cities of Ichinomiya and Tokoname, and Nagoya's Arimatsu district. The genre-spanning, cutting-edge art event will include contemporary art, the performing arts, and learning programs. The theme of this iteration, "STILL ALIVE," was inspired by I Am Still Alive, a series of works by the Aichi-born conceptual artist On Kawara in which he continually reaffirmed his own existence by sending out telegrams. By interpreting this theme from multiple perspectives, Aichi Triennale 2022 endeavors to create a place for scintillation encounters and experiences, which promise to imbue us with the positive energy needed to live for tomorrow.

Further information can be found on Aichi Triennale 2022 Official Website

Theme

STILL ALIVE

Artistic Director

Kataoka Mami (Director of the Mori Art Museum and President of the CIMAM)

Period

July 30 (Saturday) to October 10 (Monday, public holiday), 2022 [73 days]

Main Venues

Aichi Arts Center
Ichinomiya City
Tokoname City
Arimatsu, Nagoya City

Organizer

Aichi Triennale Organizing Committee

Website

https://aichitriennale.jp/en/

Catalog

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Aichi Triennale 2022 STILL ALIVE
Published on March 20, 2023
Edited by Aichi Triennale / Organizing Committee
Editorial Staff: Ando Yukihiro / Oda Ayuko / Masuda Chie / Iida Shihoko / Shiotsu Seika / Uchida Shinichi / Nijo Tomoko
Art Direction: TanakaY Yasuhisa (centre Inc.)
Designed by Yamada Yutaro (centre Inc.)
Printed by iWORD
Published by Aichi Triennale / Organizing Committee / Aichi Arts Center
Released by Kokushokankokai Inc.
Printed in Japan

List of Artiststs
Theme / Concept

Essay
Kataoka Mami, "STILL /ALIVE"

Plates
Comemporary Art Exhibition
Aichi Arts Center
Ichinomiya City
Tokoname City
Arimatsu, Nagoya City
Performing /Arts
Learning

Essays
Iida Shihoko, "For Persistence"
Rhana Devenport, "Aliveness"
Martin Germann, "Here, Time Becomes Space: Notes on 'STILL ALIVE'"
Eungie Joo, "Yesterday, Today, and Tomorrow"
Victoria Noonhoorn, "Five Daughters of Mother Earth"
Tobias Ostrander, "Temporal discrepancies"
Ralph Rugoff, "Still Alive, Still Learning"
Shimabuku, "Even the dead are still alive - and the live may not be truly living"
Cosmin Costinas, "Fibers of power and never forgetting"
Nakamura Fumiko, "Illuminating the space between 'truth' and 'realit'"
Art and the Conditions for Being STILL ALIVE: Earthquakes, Thunderbolts, Fire, and Tsutsumi Takuya, "Fathers (Plus Viruses)"
Fujii Akiko, "STILL ALIVE: Believing in the Power of An"
Maeda Keizo, "After Aichi Triennale 2022"
Soma Chiaki, "STILL ALIVE In Order to Reopen and Reunite"
Aida Daiya, "Aims and implementation of training for volunteers"
YamamotoTakayuki, "Between Festival and Everyday Life─Learning Programs Reconnect People with Art Festivals in Aichi to Keep Festivals Going─"
 
List of Works
Acknowledgements
Sponsors. Cooperation. Ambassador
Organizauon. Volunteer
Photo Credit Translation